Directed by: Douglas Aarniokoski
With Highlander 3: The Final Dimension, the filmmakers gave us a straight-forward sequel to the original film, bypassing the absurdity of the second film (which I still happen to love). Except Highlander 3 was largely unmemorable and uninspired. So I went into this one with some trepidation, not even really knowing what the cast or filmmakers consisted of.
Verdict? Highlander: Endgame aka Highlander 4 was a blast. Legitimately. While it looks and feels on the low-budget side, it somehow works, and really well in that specific low-budget hyper stylized action kind of way, just the type of film I happen to love to death. Having not seen the Highlander series, this was the first time I'd seen Christopher Lambert and Adrian Paul together. I know Lambert kind of showed up for the pilot, but I don't know what direction that storyline went. Here MacLeod (Lambert) takes over the role of mentor the way Sean Connery did in the first 2, and in doing so, he kind of overshadows and outshines Adrian Paul's Duncan MacLeod character. I'd read that Lambert was supposed to have just a small part, but the end result looks more like a co-star lead, and ultimately steals the show. Not that Adrian Paul is any less entertaining as a lead. I'd never seen him in anything, so this was my first introduction to him, other than a random guest spot on an episode of Seinfeld, and the guy delivers the goods as a MacLeod. I think part of what sells it is his immense physicality to the role. For the most part, you know it's him doing some of that crazy swordplay and stuntwork, where as you know Lambert was so blind without his glasses that it was a constant struggle.
For me, one of the first things I noticed when compared to the lackluster part 3 was that visually and aesthetically, this one looks so much better. Again, not knowing who directed it beforehand, I was surprised to learn it was none other than Nurse 3D's director Douglas Aarniokoski's first film, after having worked as an assistant director on a huge number of projects big and small, starting with Pee-Wee's Playhouse and eventually working his way onto films like From Dusk Till Dawn, Austin Powers and Resident Evil:Extinction. He seems to be relegated to television work these days, and in all honestly I was not a fan of Nurse 3D, but here the guy delivers the goods. There's some really great camera work, compositions and camera movement going on throughout, and most surprising of all, it's bloody and violent as hell. When someone gets cut or sliced, it's almost always followed by a frenzy of blood flowing through the air. And none of that CGI crap either. Nothing but good ol' fashioned squibs and blood packets were used and it's fantastic. So there, right off the bat, Highlander 4 is way more stylish and way more violent and bloody than I was expecting. We're off to a good start here.
Have you noticed I rarely ever include a synopsis of these films? Do I really need to? Nah. I mean, they all basically follow the same formula right? MacLeod learns of yet "another" lost and forgotten immortal he must fight and kill because if an evil immortal remains the last, then the world turns to shit.
Aside from Adrian Paul and the return of Christopher Lambert in the role that cemented his cult status, the supporting cast in this is quite good and dare I say.....awesome. First off, we have Bruce Payne as the main villain. Really, he's about one of the best villain actors out there and while the thought never occurred to me that he could make a great villain in this particular franchise, when I saw him it put a HUGE smile across my face. When Payne is a villain in a movie, it automatically elevates it's status. Have you seen him in One Man's Justice aka One Tough Bastard? If not, I highly recommend you do that right this minute. Moving on. As the film progresses, they throw in Donnie Yen, and some other familiar faces and I've got a huge grin on my face. This film just kicked up a few notches of awesome.
The purpose of this Highlander entry, it seems, is for Christopher Lambert to pass the torch to Adrian Paul and let his Duncan MacLeod character continue the film franchise. Sadly, things didn't quite work out that way. Endgame ended up being the last good Highlander film because it's follow-up Highlander: The Source was quickly and universally panned, and remains the most reviled out of the franchise. It was so bad that they never made another one after it's release in 2007.
I must be honest. I wasn't expecting to have such a good time going through these films. I've always loved the first film and since I was a kid, it's always been a favorite and one that I revisit constantly with every new DVD or Blu ray release, which I always end up purchasing. I guess my love for it prevented me from "possibly" souring that love with some bad films and while yes, technically a few of them are not so great, I'm still glad I made the effort to watch them because despite some of their shortcomings, I did enjoy the experience in some form. I'm nervous as I head into 2007's The Source, but maybe it's not as bad as people say. To be continued...
Directed by: Andrew Morahan
After revisiting part 2, and frankly loving the shit out of it, I decided to keep going in the franchise. Truth be told, as much as I hold the first Highlander in the highest regard, after part 2, I never bothered seeing any of the numerous sequels. In fact, I'm not really sure how many of them there even are as of this writing as they don't go by Highlander 2, 3, 4 and so on. Instead they go by titles such as Highlander: Endgame and Highlander: The Source. Not that it will take that much effort to figure out what order they go in.
First up, Highlander 3, or Highlander: The Final Dimension as it's known here in the states, or Highlander: The Sorcerer as it's known elsewhere. I remember being pretty excited about this one when it was announced because after the initial disaster of part 2, we all were hoping for something more in line with a straight-up sequel to the original. I was also excited because this would be the feature film debut of director Andrew Morahan, who had done a few of Guns n' Roses epic videos back in the late 80's on into the 90's like November Rain and Don't Cry. I always felt he had a great visual eye (in the confines of a music video anyway) and couldn't wait to see what he did with the franchise and his first shot at a full-on feature film. But then I began seeing trailers and well, my enthusiasm took a nose dive and I never made the effort to go actually see it. It just didn't look very good, or exciting, or even competent in the sense that it looked low-budget and nothing that looks like it should be playing in your local theater. I took that as a sign that the franchise was dead in the water, and so I ignored it and never bothered with any of the others, not even the television series.
Connor MacLeod has been living a peaceful life thinking that he is the last of the Highlander's. When an old foe in the form of a samurai warrior/magician escapes from his tomb after 400 years, he seeks to take revenge on MacLeod for putting him there.
Finally sitting down to watch this my initial feelings were pretty much confirmed. Highlander 3 is frankly mediocre in nearly every single department. There's nothing about this that stands out, and there's nothing about this entry that warrants a repeat viewing. It's pretty bland to be honest. His talent for directing video's sadly doesn't transfer over well to feature films, and sadly, I found Highlander 3 to be a bore for the most part, with even the fight scenes being tediously lame. Honestly, the only highlight for me was Mario Van Peebles as the villain, but even then, he was nearly a rehash of The Kurgan from the first film, only changed somewhat to be a black samurai? I think.. I don't know,
Again we're treated to flashback sequences, and again they're as dull as they were in the first film. I love the first Highlander to death, but man those flashback sequences always killed the momentum for me. At least the second film decided to do away with those completely. But this film often tries too hard to replicate so much of what made the first film work so well that it almost feels like a remake. I mean, they even have MacLeod return to New York City, and funnily enough they dress him exactly the same way he was dressed in the first film. There's even a scene with Kane (Van Peebles) doing a crazy driving sequence with his victim, MacLeod's son, just like Kurgan did in the first film. How did either of them learn how to drive?
Andrew Morahan is no Russell Mulcahy, but he does try his hardest. It's just not enough. The visual's don't pop and nothing flows. There are moments where something "works" and "hits the right note", only to be surrounded by uninspired camerawork that looks like it was a Made-for-TV production. The action is a bore, and there's never any real excitement. I'm not surprised that it took them another 6 years to finally get the nerve to make another one. I'm actually surprised they even tried. Highlander 3 is just kind of ....... there. It's not terrible, but it's not memorable. It does play out like a true sequel though, totally ignoring anything that happened in the second film. It references that first film so much that you'd think they were doing a remake, and in that respect, it just comes across as tired. I guess with this one they decided to play it safe, but in doing so, they seriously dropped the ball, created a mediocre film at best, one that will leave no lasting impression.
|Sadly, she does not wear this dress or even look like this in the actual film|
Directed by: Raymond Martino
I'd always been aware of this low-budget action starring none other than Anna Nicole Smith, but oddly nothing about this production ever tempted me enough to actually watch it. And I honestly can't tell you why I finally decided to do so, but boy oh boy am I fucking glad I did, because this turned out to be far more entertaining than I expected it to be. Admittedly, all the reasons I loved it are probably the reasons why most would hate it, but for me, this was pure low-budget action gold.
Let's start with the obvious, Anna Nicole Smith starring in a Die Hard ripoff. While I was not expecting much from her in the acting department, though she was surprisingly decent in the 3rd Naked Gun film, I was not expecting her to be as terrible as she was in this. While it was highly entertaining to see this trainwreck performance, it was also a bit sad. Clearly on some kind of drug/medication, Smith's inability to deliver a single line of dialogue coherently has to be seen to be believed. I mean, it's bad. There's bad acting, and then there's Anna Nicole Smith on drugs kind of bad acting, which takes it to a whole new level of terrible. It's painfully apparent the filmmakers were aware of this, as her screen presence and actual lines are nearly non-existent. In fact, there were times when I actually forgot she was even in this, that is until a new random out of the blue nude/sex scene pops up with her.
When I finally got my hands on this, I was surprised, then elated to learn this was from none other than PM Entertainment, my absolute favorite low-budget action company. Their output is immense, and damn near impressive. If you're into this particular genre, their films will get you hooked! Some of my favorite action films are from this company, and they have so many films, it will take me my lifetime to try and get to them all, but it'll be fun trying. So yea, PM produced this and so I knew right off the bat that there would be a very specific quality to it and let me tell you, I was not disappointed.
Skyscraper had everything I had hoped for and then some. There is plenty of action, so much in fact that I forgot half the time this was an Anna Nicole film because it tends to focus so much on the other characters and action sequences more than anything. In this case, that's a good thing because I'm sure they didn't want the viewer to focus too much on Anna Nicole's hazy/incoherent acting. Writer/director Raymond Martino delivers some solid stuntwork, explosions, action set pieces, and a rather large and eclectic cast that entertains in the best, most cheesy way possible. When you see the group of bad guys, you'll know what I mean. I have so many unanswered questions that relate solely to them. Like, what accent are they trying to do? What's up with the leader? Is he speaking English? Why do they wear sunglasses in the dark? Why do they wear black leather pants? Why do they wear black leather coats? Why do they always have an insane number of readily available rocket launchers at any given moment? What is Anna Nicole doing in the shower in the beginning? Was the water turning her on? So many questions.
As this is a film starring none other than the one and only Anna Nicole Smith, you can bet your ass there's the requisite nudity, but what's kind of hilarious is that it's always at the weirdest, most unusual times, and always unexpected. Then it shockingly becomes tedious because she just looks so "out of it" the entire time and it isn't anything we haven't already seen before. I will admit, the first sex scene was nice, but also way too long for it's own good. Amazingly, I ended up kind of checking out during these and hoping the next action sequence would hit soon. They just end up being long and tedious, without really offering anything exciting, which is so weird to admit.
I wish I had waited to see this with a friend, or better yet, a group of friends. It's cheesy, hilarious, with some pretty badass action and stuntwork, and of course, truly awful acting by Smith who seems to pop in sporadically from time to time. It's a fun time for sure, and if you can appreciate films like this, then I'm sure Skyscraper will be a new favorite of yours.
Recently I've gotten into soundtrack collecting. I guess I've always been a fan and have casually purchased them here and there in different formats, but lately I've really gotten into it. About a month ago I was perusing a local record shop that just recently opened and I found this soundtrack on cassette literally as I was walking out. It was more of a casual afterthought that I picked it up because it was so cheap, maybe like $2. So I figured why not?
When I popped this baby in while I was doing some house-painting, it was just the thing I needed to keep me pumped while working solo in the house. I was shocked at how great this was. I mean, I remember the James Brown song "Living in America", and of course "Eye of the Tiger" by Survivor, but I had totally forgotten all the other great rock songs littered throughout this film, some that are even better than the songs this film is mainly known for, most notably "No Easy Way Out" by Robert Tepper, which was played during a montage sequence in the film. Man what a fantastic fucking song. But then when I looked at the song list on the back of the cassette my mind was blown even more with the discovery that none other than Vince DiCola of Transformers: The Movie fame, had also done the score for this, with 2 of his excellent synth tracks included in this soundtrack. I'm telling you, pick this soundtrack up. CD, vinyl, cassette, whatever floats your boat. It's amazing and quickly becoming my GO-TO soundtrack and all-time favorite.
Directed by: Russell Mulcahy
After having not seen this film since it's original release and being appalled, I decided to revisit it recently when I came across it on Hulu. I, more than anybody, was shocked to discover that believe it or not, I actually enjoyed this way more than I expected to. I know, I can't believe it either. When it was first released, I hated it. And then when they released The Renegade Version to try and fix a lot of the complaints (mainly the ridiculous idea that they were from another planet), I still didn't like it. In the end, it didn't really do what it set out to do, which was fix the film as a whole and calm down a lot of the die hard Highlander fans who went berserk.
So here I am, 20ish years later finally revisiting this and having a great time, only this time I decided to tell myself this wasn't a Highlander film and went into it as a standalone film. A weird sci-fi/action/fantasy film that really doesn't make a lot of sense, but packs enough action and visual eye candy to pass as an enjoyable weird hybrid that shockingly works. For me anyway. If you follow the film franchise, then you know they've just flat-out ignored this film completely. It doesn't exist in the Highlander universe anymore, and for good reason. As a Highlander sequel, it's absurd, ridiculous, and just plain stupid. I think we can all agree on that. What's shocking is that it's written by the same guy who wrote the first film, a film that has become a huge cult classic, and deservedly so. I have no idea what the fuck he was thinking when he wrote this film, which completely contradicts any of the lore of the first film. It's so odd. Ultimately it's a film about the environment and a dome MacLoud built to protect the planet Earth's ozone layer. I don't want to get into all the specifics about it, but that's essentially what the bulk of the film is about.
Another interesting bit is that director Russell Mulcahy hadn't directed a film between the first Highlander film and this sequel. That's a whole 5 year gap. But in this same year (1991) he had also directed the excellent and severely underrated cop thriller Ricochet, a personal favorite of mine. So you can say 1991 was one of his strangest years as a filmmaker, having directed one of his most celebrated and one of his most hated films both in the same year. That doesn't happen a lot.
While watching this highly enjoyable oddity, there were a number of things that immediately stood out for me. The first being that Mulcahy's visuals are in top form here. I found a lot of references to his first Highlander film littered throughout, but he also utilized a lot of his ever-changing style that he used in Ricochet. It's a much darker, more slick visual aesthetic that comes off way more professional than a lot of stuff he's done in the low-budget circuit. I found a lot of visual eye candy and production design that look like they came right out of Dune and Dark City. I'm talking big and vast. Not the sort of thing you'd see now with the power of visual effects where they would just create all that background in post. Here it's all really there and it's damn impressive.
The second thing that stood out was that the action sequences were pretty badass. There's a sequence in the first act where they do one of those "hoverboard" sequences that failed so miserably in Masters of the Universe just a few years earlier, only here they actually pull it off with nothing but practical effects and stuntwork. I was rather surprised at how well they pulled it off honestly. No green screen, just pure old fashioned wire-work and it's surprisingly awesome. And there are other highlights, like a sequence with MacLeod and Ramirez driving through a checkpoint and getting shot all to hell. Ultimately, it's got better than you expect action sequences and that's always a plus.
I don't know why it's called The Quickening, because that doesn't really play much of a part in the story. I mean, you expect there to be some history on the whole Quickening thing, or maybe have that play a part of the story, but no. It's just a title that for some reason, was thrown in without any explanation, much like the entire film in general.
I can't stress enough how much this film surprised the hell out of me. I was not expecting that. It still doesn't work in the Highlander universe, but man, as a weird hybrid film, it's pretty badass if you just accept it for what it is. It's dark, it's violent, it's got plenty of action, with Michael Ironside playing one crazy heavy metal-looking villain that easily outshines most villains in recent memory. It's pertty to look at, while dipping into so many different genre's. Most of all, it's fun. Time for me to grab the bluray of this.
When I turned 40 (I know, I can't believe it myself) last month, I wanted to mark it with a special occasion. I had been itching for a new tattoo for a good 10 years at least, but never actually did anything about it. Turning 40 is a big deal (to me anyway), and not in a good way. I was not looking forward to it at all. So I figured if I was going to literally be turning over the hill, I should take the opportunity to do something I'd been wanting to do for years. I had a hard time trying to settle on an idea. That is until an online friend of mine in Paris got this Cannon Films Logo himself and once I saw it, I knew that this is what it would have to be. No question. I was inspired. If there was any symbol that would describe my childhood growing up in the 80's addicted to cheesy action and horror movies, it's this.
Directed by: Ate de Jong
Category: Cult Classic
Ate de Jong's Highway to Hell is one of those low-budget obscure films I remember seeing often in my local video stores. I remember that terrible cover, and I remember actually renting it a time or two, mainly because I knew the guy who did it also did Drop Dead Fred. My memory is pretty fuzzy on whether I actually liked it or not, but what I do recall was it was littered with an odd assortment of cameo's, with Gilbert Godfriett as Hitler continuously yelling he is not Hitler being burned into my memory for some strange reason. Other than that, I really don't remember anything about this, and I honestly forgot about it. That is until it recently got the DVD/Blu ray treatment, it's first official release in any form other than VHS in the U.S., and the first time being able to see it in it's original aspect ratio.
So I invited a bunch of my movie friends over and threw this baby on. None of them had even heard of this before, and the one that did couldn't remember a thing about it. So we all went into this blind, which is usually the best way to do it.
|Original U.S. Poster Art (TERRIBLE)|
a chaotically fun way. Highly absurd and ridiculous, with a slight hint of tongue-in-cheek humor that's hard to pull off effectively, yet it works here. You won't laugh out loud or anything, but it's silly premise, structure, and end result works better than you expect it to. If you're a fan of films like Hell Comes to Frogtown, then you'll most certainly enjoy this one as well. While there's not a lot of "action" per say, it moves along at a brisk pace with enough "odd" cameo's, and wtf? chaotic moments that it's a helluva lot of fun from beginning to end.
I was most shocked to learn that none other than Brian Helgeland wrote this. If you're not familiar with his work, he's the guy responsible for big Hollywood films like L.A. Confidential, Mystic River, Man on Fire, Payback, and a slew of others. But before this film, he had also written 976-Evil. So I guess you gotta start somewhere. You'd just never guess the same guy came up with this WTF? insanity.
Then there's director Ate de Jong. He's been directing since 1976 (The year I was born), and still continues to direct today. But 1991 was the year he directed this and Drop Dead Fred, which both happen to be his most well known works. With the exception of an episode of Miami Vice, none of his other films ring a bell. He does alright with the material he's given. I think I would have liked to have seen more style, or more of a fluidity in his camerawork, but it's not bad. Just not very inspired visually. But, I will add that that may be in keeping with it's low-budget/post apocalyptic vibe. So it could be deliberate for all I know.
The blu-ray is a must own. I've seen it fluctuate sporadically in price here and there, but honestly, it shouldn't be more than $20 with shipping. It comes with the film in a solid digital transfer and it was nice seeing it in widescreen for the first time. The highlight for us was an interview with makeup/fx artist Steve Johnson. This guy. He's a trip, and his candid interview is well worth the price of the blu ray alone. Do yourself a favor and watch it following the feature. You'll be glad you did.
I'm not saying it's a perfect film, but it sure is a fun one, especially watching with a group and some alcohol. It's highly absurd, silly, sometimes comical, sometimes awesome, and all around fun.
Directed by: Gregory Hatanaka
When I learned that there was a fundraising campaign to bring a sequel to the hilarious cult classic to fruition, I was all kinds of excited. The original SC still remains today one of the best Bad Movies ever made, and one of the most unintentionally hilarious films I've ever seen. With the sequel, I remember reading that the young filmmaker behind it was going to "capture the spirit" of the original film and give fans the film they've been waiting for all these years. 25 years to be exact. So when the film was completed and the DVD/Bluray was announced, I immediately put my pre-order in, so I wouldn't possibly miss out. When we set this film's Bad Movie Night screening date to our group, it was only by sheer coincidence that it would also mark the 1 year anniversary of our hugely successful screening of the first Samurai Cop to a roaring crowd. So a bit of nostalgia set in and we were all really excited.
Where do I begin with this film. It was fucking terrible. SC2 is hands down one of the worst films I have ever seen, and this is coming from someone who loves bad films. In trying to capture the essence of the first film's hilariously bad qualities, SC2 overreaches by a mile, and the result is a mess of a film, one that tries too hard to "try" and be funny, only not succeeding. The constant winks at the camera from pretty much every actor, to the constant silly and purposely over-the-top hammy acting only make you cringe. It's so bizarre, really. The actors, half of which are porn stars, are so terrible that had the film been at least funny, you could forgive them, but when you're bored to tears through a tedious script that literally makes zero sense, you audibly mouth "whaaaat??", and "huh??", or you just roll your eyes and yawn. The nonsense on display here is aggravating, annoying, and an insult to the legacy of that classic first film. I honestly have no idea what director Gregory Hatanaka was thinking while making this. It's so bad that you wonder what parts were on purpose, and what, if any, was purely accidental. I can't tell you, and I doubt anyone else would be able to tell. Everything about this film; the acting, production, effects, camera work, choreography, directing, script, music, is so awful and so far off the mark that we just couldn't finish it. That's right. At 45 minutes in, I just couldn't take any more and shut the damn thing off.
There are ways to take a genre, concept, or even a film and pay tribute to it. There are successful ways to go about it, and honor it while also being 100% self-aware. Hobo With a Shotgun did it, Planet Terror did it, Hateful Eight did it, as well as a handful of others, successfully. Writer/Director Gregory Hatanaka has no clear idea on how to do this, or even make a solid film in general. Even if he had failed at providing us with the spirited homage we had wanted, if the film had been at least genuinely funny or entertaining in the slightest, then that could have been an easy pass. But the fact of the matter is that there is "nothing" salvageable here, not even the inclusion of Tommy Wiseau, which I was really excited about. Stunt casting is the first word that comes to mind. And even then, I could not tell if he was honestly that terrible, or if he was hamming it up on purpose.
Speaking of casting, I will say this, it was great seeing Matt Hannon again. While noticeably older, the guy delivers the goods. It's just sad because the guy literally disappeared from site for 25 years, only to be found, alive and well, with his cult status tarnished with this film. And considering the talent involved in this film's large cast, I'm genuinely surprised to say that porn actress Kayden Kross was actually the best actor in this entire film, no lie. Joe's partner Matt Frazer, who also hadn't appeared in a film since the original, seems to have forgotten how to act entirely. Not that he was a thespian to begin with, but at least in the first film he was passable, and even funny. Everyone else, most notably the endless barrage of cult film icons, were just flat-out awful. Joe Estevez (Soultaker), Laurene Landon (Maniac Cop 1 & 2), Tommy Wiseau (The Room), Melissa Moore (Sorority House Massacre 2, Hard to Die), and worst of all, Bai Ling (The Crow). What the hell was she on? I mean, I know she's not known to be a great actress to begin with, but holy hell was she terrible in this.
This film looks like it was shot on a single weekend, with no script in hand, like everything was made up on the spot. Nothing flows, and the constant transitions from one sequence to the next leave you utterly confused. Is it supposed to be in the future? Present day? What is the story even about? Why is it so ridiculously confusing? There is so much that doesn't make any sense or even lead anywhere that sometimes it feels like you're watching 2 different films at the same time. And what the fuck is up with the horrendous soundtrack? I don't know about you, but I found the original films cheesy synth score to be a huge bonus to the experience, but for some odd reason, they decided to fill this film with R & B tunes that are so bad and seem to belong in a totally different film!
I'm done. I'm exhausted. I can't go on anymore. Save yourself the frustration and skip this one.
Directed by: Antoine Fuqua
After finally watching the excellent Training Day for the very first time, I was immediately struck with the feeling that I need to either see for the first time, or revisit past Antoine Fuqua films. First on that list was The Equilizer, a film that didn't really grab me when it first came out. At least not enough to go actually pay good money to see it in theaters. It may just be the fact that I grew up on the original show starring Edward Woodward in the 80's, and the fact that we have yet another remake that looks to dramatically change the formula again didn't help. So I passed on it initially. After finally seeing it, I wish I hadn't.
In short, Antoine Fuqua's The Equilizer is fucking awesome. In fact, I'd put it right up there with John Wick. It's just as brutal and entertaining as that film was, just without the flashy neon bright colors. Fuqua directs with a slick gritty/noir vibe that was hard to see in the trailers, but it's evident in all it's glory when you see the film. In fact, the more I think about it, Equilizer and John Wick could literally go toe to toe because they both hit virtually all the same beats, even when it comes down to why the two leads come out of retirement to avenge. Same plot, essentially, but both with varying degrees of success that make them both uniquely different.
While first thrown off by the casting of Denzel Washington in the lead, my fears were quickly put to rest because really, he just nails the role and kicks all kinds of ass in this. And you know, he's not trying to be Edward Woodward (obviously), and essentially, this is kind of a prequel to how his character becomes known as The Equilizer. So don't go in expecting to see a sophisticated brit who dons a trenchcoat and you'll be okay. Personally, I enjoyed where the story went, and how his character was fleshed out, albeit rather slowly. But that's a good thing, because it's the mystery that keeps you invested, and let me tell you, the payoff is well worth it.
Director Antoine Fuqua again displays his mastery of action sequences. Seriously, why is his name not right up there with those of say, the early career's of John McTiernan and Renny Harlin? He's just as good as either of those guys, if not better. And unlike McTiernan and Harlin, who I happen to love, he's consistent. That's not something you can say about a lot of today's, or even yesterday's, action film directors, who tend to change up their style and aesthetic with every film project. At least in Fuqua's case, all his films follow a similar stylishly streamlined aesthetic. No half-assed shaky-cam nonsense.
The Equilizer is a reminder that I need to continue to support new action films, that they're not all crap. The majority of them are, but every so often we get a gem like this, that reminds us that they still can make great action films in this day and age. Crazy, right???